It seemed to yoyo back and forth between people who kept spotting it and finding the keys in the ignition, as if it were a Copenhagen version of a Boris bike, but assuming Vagn found the keys and from them the car, how he managed to leave no traces is beyond me. These two strands comes together in the question of the car in which Nanna was found. This is effective, if possibly far too subtly done to register with most of the audience.
Hasi female version serial#
Who was calling the shots to keep Lund's investigation contained? Who was keeping her under watch? We are left to conclude that this is the way business is handled Brix's exhortations to her not to pursue the ivestigation further (persumably lest she discover Vagn was a major-league serial killer and thus embarrass the police even further) are just business as usual. Similarly, a political subplot which sees civil servants murdered, evidence withheld or destroyed, policewomen stalked, and one party leader killed provides us with few answers. The most basic one being was he an incredibly clever serial killer, as Sara's boyfriend Bengt suggested (and she conveniently ignored for far too long) -as you would expect from someone who could kill a cop, hang a fellow mover in a Russia coaster's cabin, and indeed leave no DNA traces anywhere while murdering Nanna-or was he someone who simply killed Nanna out of misplaced family loyalty and surrender to an impulse? Unless you believe that his use of Theis for self-destruction was actually part of that fiendishly clever guy. But in episode 20, the show had to revert to what, at heart, it was.a whodunit, and reveal who did it, and why, and thus risk tearing down much of the latticework of plot and character that had been developed so carefully.īecause the revelation that Vagn, an almost too-obvious suspect for most of the programme, was indeed the killer raised far more questions than it answered. The problem for episode 20 was that the strength of the show was the slow build, the careful distribution of red herrings, and most importantly the combination of political intrigue behind the scenes on one hand, and the breakdown of families and relationships as a result of the crime on the other. As the investigation intensifies, the consequences are wide-ranging and with wide-spread effect from the hidden agenda of the high school students via the closed environment in immigrant circles and the bureaucracy at town hall, to the many more or less visibly involved people in the ruthless election campaign.In the end, The Killing turned out to be a victim of its own success, and to a lesser extent, its own newly-found hype, as it leapt from the ghetto of BBC4 to mainstream attention (though most of the MSM seemed to be incapable of getting past the same tired points-yes the sweater is an unlikely fashion icon, and at £280 in London, it's unlikely to ever be one here!). The crime and the hunt for the perpetrator bind very different people together in the same fateful story. In the course of 20 intense days in November their lives change forever. A homicide case takes its beginning and so does the hunt for the perpetrator. They all become part of the same story as the police follow the leads. At the same time a top politician is involved in a ruthless but promising election campaign. An all but normal family at Vesterbro are minding their everyday life and contemplate moving, when the parents are suddenly thrown into their worst imaginable nightmare. It all starts when head of investigations in the homicide department has her last day at work before embarking on a new chapter in her life.
Hasi female version full#
As the investigation unfolds, Copenhagen opens up like a Chinese box, full of secrets and power struggles. In the course of 20 gripping days we follow the leads and observe the consequences of a heinous crime that seem to ramify throughout Copenhagen.
Hasi female version tv#
The Killing' is an innovative thriller in 20 episodes from Danish Radio TV Drama. The internationally acclaimed, top-selling thriller
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